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1997 American motion-picture show directed by Don Bluth and Gary Goldman

Anastasia
Anastasia-don-bluth.jpg

Theatrical release affiche
Directed by
  • Don Bluth
  • Gary Goldman
Screenplay by
  • Susan Gauthier
  • Bruce Graham
  • Bob Tzudiker
  • Noni White
Adaptation by Eric Tuchman
Based on
  • Anastasia
    past Arthur Laurents
  • Anastasia
    by Marcelle Maurette
Produced by
  • Don Bluth
  • Gary Goldman
Starring
  • Meg Ryan
  • John Cusack
  • Kelsey Grammer
  • Christopher Lloyd
  • Hank Azaria
  • Bernadette Peters
  • Kirsten Dunst
  • Angela Lansbury
Edited by
  • Bob Bender
  • Fiona Trayler
Music by David Newman

Production
companies

Fob Family Films[i] [2]
Play tricks Animation Studios[3]

Distributed past 20th Century Trick[2]

Release dates
  • November 14, 1997 (1997-eleven-14) (Ziegfeld Theater)
  • November 21, 1997 (1997-11-21) (United states)

Running time

 94 minutes[four]
Land United states[2]
Language English language
Budget $53 meg[5] [half dozen]
Box function $140 one thousand thousand[seven]

Anastasia is a 1997 American animated musical fantasy drama flick[8] [9] produced and directed past Don Bluth and Gary Goldman from a screenplay by Susan Gauthier, Bruce Graham, Bob Tzudiker, and Noni White. The film stars the voices of Meg Ryan, John Cusack, Kelsey Grammer, Christopher Lloyd, Hank Azaria, Bernadette Peters, Kirsten Dunst, and Angela Lansbury.[10] Based on the fable of Yard Duchess Anastasia, the film follows an xviii-year-old amnesiac Anastasia "Anya" Romanov who, hoping to notice some trace of her deceased family unit, sides with two con men who wish to pass her off every bit the Thou Duchess to dowager empress Maria Feodorovna. The film shares its plot with the 1956 flick of the aforementioned name, which in plough was based on the 1954 play of the same proper name by Marcelle Maurette. Unlike those treatments, this version adds a magically empowered Grigori Rasputin as the antagonist.

Anastasia was the showtime 20th Century Play a joke on animated feature to be produced past its own animation partitioning, 20th Century Play a joke on Animation, through the animation studio Fox Blitheness Studios. The film premiered at the Ziegfeld Theater in New York City on Nov 14, 1997, and was released in the United States on Nov 21. The film received generally positive reviews from critics, who praised the animation, voice performances, and soundtrack, though information technology attracted criticism from some historians for its fantastical retelling of the Grand Duchess. Anastasia grossed $140 million worldwide, making it the virtually assisting film from Bluth and Fox Animation Studios. Information technology received nominations for several awards, including for All-time Original Song ("Journey to the Past") and Best Original Musical or One-act Score at the 70th Academy Awards.

The success of Anastasia spawned various adaptations of the moving-picture show into other media, including a straight-to-video spin-off flick, a computer game,[xi] books, toys, and a phase musical, which premiered in 2016.[12] [13]

Plot [edit]

In 1916 in Petrograd, Russian federation, at a ball celebrating the Romanov tricentennial, Dowager Empress Maria bestows a music box and a necklace inscribed with the words "Together in Paris" equally parting gifts to her youngest granddaughter, viii-year-old Grand Duchess Anastasia. The brawl is suddenly interrupted by Grigori Rasputin, a sorcerer and former regal counselor exiled for treason, who vows to Tsar Nicholas that his family will be banished with a curse. Consumed by his hatred for the Romanovs, Rasputin sells his soul in substitution for an unholy reliquary, which he uses to spark the Russian Revolution. Every bit revolutionaries besiege the palace, Marie and Anastasia escape through a cloak-and-dagger passageway, aided by x-year-one-time servant boy Dimitri. Rasputin confronts the two royals outside on the frozen Little Nevka River, simply to fall through the ice and drown. The pair reach a moving railroad train, but every bit Marie climbs aboard, Anastasia falls and hits her head on the platform, subsequently suffering amnesia.

Ten years later, Russia is under communist dominion and Marie publicly offers 10 million roubles for the safe return of her granddaughter. Now working as a conman, Dimitri and his partner-in-law-breaking Vlad Vasilovich search for an Anastasia look-akin to bring to Paris, so they can collect the reward. Elsewhere, an 18-year-sometime Anastasia (at present called "Anya") leaves the rural orphanage where she grew up and begins a search for her family. Accompanied past a devious puppy she names Pooka, Anya heads to Paris, inspired by the inscription on her necklace, but finds herself unable to leave the Soviet Union without an exit visa. An old woman advises her to run into Dimitri at the abandoned palace. In that location, the two men are impressed by Anya'south resemblance to the "existent" Anastasia, and make up one's mind to take her with them to Paris, unaware of her identity.

Watching the meeting, Rasputin's albino bat minion Bartok notices his master'southward dormant reliquary of a sudden revived past Anya'southward presence. Information technology drags him down to limbo, where he finds an undead Rasputin bars. Enraged to hear that Anastasia escaped the curse, Rasputin sends his demonic minions from the reliquary to kill her. The demons sabotage the trio's train equally they leave Leningrad, and later try to lure Anya into sleepwalking off their transport bound for France. The trio unwittingly foil both attempts, forcing Rasputin and Bartok to travel to the surface to kill Anya personally. During their journeying, as Dimitri and Vladimir teach Anya court etiquette and her family'southward history, Dimitri and Anya brainstorm to fall in love.

The trio eventually reach Paris and go to see Marie, who has given up the search after meeting numerous impostors. Despite this, Marie's cousin Sophie quizzes Anya to confirm her identity. Though Anya gives every answer taught to her, Dimitri realizes she is the existent Anastasia when she vaguely recalls how he helped her escape the palace siege. Sophie, also convinced, arranges a meeting with Marie at the Palais Garnier. There, Dimitri tries to plant an introduction, but Marie refuses, believing Anya will be some other impostor and having already heard of Dimitri's initial scheme to con her. Anya overhears the conversation and angrily leaves. Dimitri subsequently abducts Marie in her car to force her to see Anya, finally convincing her when he presents the music box Anastasia dropped during their escape. Every bit Marie and Anya converse, Anya regains her memories before the two sing the lullaby the music box plays. Marie recognizes Anya as Anastasia, and the two are joyfully reunited.

Marie offers Dimitri the reward money the next day, recognizing him equally the servant male child who saved them, but he declines it and leaves to render to the Soviet Union. At her render commemoration, Anya is informed by her grandmother of Dimitri'south gesture, leaving her torn between staying or going with him. Anya walks off to the Pont Alexandre Three, where Rasputin entraps her, while Bartok abandons Rasputin. Dimitri returns to salve Anya, merely is attacked by a Black Pegasus statue enchanted by Rasputin. In the struggle, Anya gets hold of Rasputin's reliquary and crushes it nether her foot, avenging her family as Rasputin's demons plough on and destroy him, thus ending the Romanov curse.

Anya and Dimitri elope, and Anya sends a farewell letter to Marie and Sophie, promising to return one twenty-four hour period. Meanwhile, Bartok falls in beloved with a lady bat.

Voice cast [edit]

  • Million Ryan as Anastasia "Anya" Romanov, an amnesiac princess raised as an orphan, who sets out on a journey to discover her truthful heritage.
    • Liz Callaway provides the singing vocalism for Anastasia.
    • Kirsten Dunst provides the speaking voice for young Anastasia.
    • Lacey Chabert provides the singing vocalisation for young Anastasia.
  • John Cusack every bit Dimitri, a immature conman, sometime servant of the Romanovs, and Anastasia's love interest.
    • Jonathan Dokuchitz provides the singing vocalisation for Dimitri.
    • Glenn Walker Harris Jr. provides the voice for immature Dimitri.
  • Kelsey Grammer equally Vladimir "Vlad" Vasilovich, a former nobleman-turned-con artist and friend of Dimitri.
  • Christopher Lloyd as Grigori Rasputin, an evil lich sorcerer and old counselor of the Romanovs, who casts a expletive upon the family unit when they exile him for treason.
    • Jim Cummings provides the singing voice of Rasputin.[14]
  • Hank Azaria as Bartok, Rasputin'due south balmy-mannered, talking albino bat, who serves as the film's comic relief.
  • Angela Lansbury equally Marie Feodorovna Romanov, the Dowager Empress, female parent of Nicholas II, and Anastasia'southward grandmother.
  • Bernadette Peters as Sophie Stanislovskievna Somorkov-Smirnoff, Marie's kickoff cousin and lady-in-waiting.
  • Andrea Martin equally "Comrade" Phlegmenkoff, the orphanage's inconsiderate owner.
  • Rick Jones every bit:
    • Nicholas Ii Romanov, the last Tsar of Imperial Russia and Anastasia's father.
    • A revolutionary soldier
    • A retainer
    • A ticket agent
  • Clemency James as Anna Anderson (Impostor Anastasia)
  • Debra Mooney as an Actress
  • Arthur Malet as:
    • Traveling Human
    • The Romanov's Major Domo

Victoria Clark, Billy Porter, Patrick Quinn, J.K. Simmons, and Lillias White were among the ensemble and character voices.

Production [edit]

Development [edit]

In May 1994, the Los Angeles Times reported that Don Bluth and Gary Goldman had signed a long-term deal to produce blithe features with 20th Century Play tricks, with the studio channeling more than $100 1000000 in constructing a new animation studio.[15] They selected Phoenix, Arizona, for the location of Fox Blitheness Studios because the state offered the visitor about $ane 1000000 in job preparation funds and depression-involvement loans for the land-of-the-art digital animation equipment.[16] It was staffed with 300 artists and technicians, a 3rd of whom worked with Bluth and Goldman in Dublin, Ireland, for Sullivan Bluth Studios.[17] For their first project, the studio insisted they select ane out of a dozen existing properties which they owned where Bluth and Goldman suggested adapting The King and I and My Fair Lady,[18] though Bluth and Goldman felt it would be impossible to amend on Audrey Hepburn'southward functioning and Lerner and Loewe'south score. Following several story suggestions, including Neb Kopp'due south cancelled Betty of the Jungle, the idea to adapt Anastasia (1956) originated from Fox Filmed Entertainment CEO Bill Mechanic. They would after adapt story elements from Pygmalion with the peasant Anya existence molded into a imperial woman.[19] The budget was $53 1000000.[6] [five]

Early on into production, Bluth and Goldman began researching the bodily events through enlisting old CIA agents stationed in Moscow and St. petersburg.[20] Effectually this same time, screenwriter Eric Tuchman had written a script. Somewhen, Bluth and Goldman decided the history of Anastasia and the Romanov dynasty was too dark for their film.[19] In 1995, Bruce Graham and Susan Gauthier reworked Tuchman'southward script into a light-hearted romantic comedy. When Graham and Gauthier moved onto other projects, the married man-and-wife screenwriting team Bob Tzudiker and Noni White were hired for boosted rewrites.[21] Actress Carrie Fisher besides made uncredited rewrites of the film, particularly the scene in which Anya leaves the orphanage for Paris.[22]

For the villains, Bluth also did not accept into consideration depicting Vladimir Lenin and the Bolsheviks, and initially toyed with the idea of a police chief with a vendetta against Anastasia. Instead, they decided to have Grigori Rasputin as the villain with Goldman explaining information technology was because of "all the different things they did to try to destroy Rasputin and what a horrible man he really was, the more than it seemed flavory to brand him the villain".[20] In reality, Rasputin was already dead when the Romanovs were assassinated. In add-on to this, Bluth created the thought for Bartok, the albino bat, every bit a sidekick for Rasputin: "I just thought the villain had to have a comic sidekick, simply to let everyone know that it was all right to laugh. A bat seemed a natural friend for Rasputin. Making him a white bat came later – just to make him unlike".[23] Composers Stephen Flaherty and Lynn Ahrens recalled existence at Au Bon Pain in New York Metropolis where Rasputin and Bartok were pitched, and beingness dismayed at the conclusion to become down a historically inaccurate route; they made their stage musical adaption "more sophisticated, more far-reaching, more than political" to encompass their original vision.[24]

Casting [edit]

Bluth stated that Meg Ryan was his first and simply choice for the title character. However, Ryan was indecisive nearly accepting the role due to its night historical events.[25] To persuade her, the animation team took an audio clip of Annie Reed from Sleepless in Seattle and created an animation reel based on it which was screened for her following an invitation to the studio. Ryan later accepted the function; in her words "I was blown away that they did that".[26] Before Ryan was bandage, Broadway singer and actress Liz Callaway was brought in to record several demos of the songs hoping to land a job in background vocals, only the demos were liked well enough by songwriters that they were ultimately used in the concluding film.[27] John Cusack openly admitted afterward being cast that he couldn't sing;[28] his singing duties were performed by Jonathan Dokuchitz.[29] Goldman had commented that originally, equally with the rest of the cast, they were going to have Ryan record her lines separately from the others, with Bluth reading the lines of the other characters to her. Nevertheless, subsequently Ryan and the directors were finding the method to be as well challenging when her character was paired with Dimitri, she and Cusack recorded the dialogue of their characters together, with Goldman noting "it made a huge divergence".[20]

Peter O'Toole was considered for the part of Rasputin, but Christopher Lloyd was hired because of his popularity from the Dorsum to the Futurity trilogy. Bartok was initially written for Woody Allen, simply the studio was reluctant to hire him following revelations of his relationship with his ex-partner Mia Farrow'south adoptive girl, Soon-Yi Previn. Martin Short was also considered, but Hank Azaria won the role x minutes into his audience.[20] [21]

Musical score and soundtrack anthology [edit]

The film score was composed, co-orchestrated, and conducted past David Newman, whose father, Alfred Newman, composed the score of the 1956 film of the same name.[xxx] The songs, of which "Journey to the Past" was nominated for the Academy Award for Best Original Vocal, were written past Lynn Ahrens and Stephen Flaherty.[31] The first song they wrote for the project was "Once Upon a Dec"; it was written during a heatwave "so [they were] sweating and writing winter imagery".[24] The film'southward soundtrack was released in CD and audio cassette format on Oct 28, 1997.[32]

Release [edit]

20th Century Play tricks scheduled for Anastasia to be released on November 21, 1997, notably a week afterwards the re-release of Disney'due south The Little Mermaid. Disney claimed it had long-planned for the re-release to coincide with a consumer products campaign leading into Christmas and the film's dwelling video release in March 1998, as well continue the tradition of re-releasing their blithe films within a seven-to-eight yr interval.[33] In addition to this, Disney would release several competing family films including Flubber on the following weekend, as well as a double feature of George of the Jungle and Hercules.[33] To avoid branding confusion, Disney banned television receiver advertisements for Anastasia from beingness aired on the ABC program The Wonderful World of Disney.[34]

Commenting on the studios' vehement competition, Disney spokesman John Dreyer brushed off allegations of studio rivalry, claiming: "We always re-release our movies effectually vacation periods". However, Pull a fast one on executives refused to believe Dreyer'south argument with Bill Mechanic responding that "it's a deliberate effort to exist a bully, to kick sand in our face up. They can't be trying to maximize their own business organization; the amount they're spending on advertising is ridiculous... It's a full-bodied effort to keep our film from fulfilling its potential".[35]

Despite this, the movie is constantly confused to accept been fabricated past Disney due to its then contemporary films. This is not helped by the fact that 20th Century Trick, the film's primary distributor, was eventually purchased by the Walt Disney Company in 2019, thus adding the picture to the studio'due south library and increasing confusion fifty-fifty more than.[36] [37] [38]

Marketing [edit]

Anastasia was accompanied by a marketing entrada of more than $50 million with promotional sponsors from Burger Rex, Dole Nutrient Company, Hershey, Chesebrough-Ponds, Macy's Thanksgiving Solar day Parade, Beat Oil, and the 1997 U.S. Figure Skating Championships. Overall, the marketing costs exceeded that of Independence Mean solar day by more than 35 percent.[39] For merchandising, Fox selected Galoob to license dolls based on Anastasia.[35] Many storybooks adapted from the movie were released by Footling Golden Books. In August 1997, the SeaWorld theme parks in San Diego and Orlando featured a 40-foot-long, 20-foot-loftier inflatable playground for children chosen "Anastasia's Kingdom".[40]

After the acquisition of 21st Century Fox by Disney, in December 2022 Disney released its beginning merchandise based on the film in the course of a mug to honor its 25th anniversary.[41]

Abode media [edit]

On Apr 28, 1998, and January one, 1999, Anastasia was released on VHS, LaserDisc and DVD and sold eight million units.[42] The picture was reissued on a two-disc "Family unit Fun Edition" DVD with the picture in its original theatrical 2.35:ane widescreen format on March 16, 2006. The starting time disc featured an optional audio commentary from directors/writers Bluth and Goldman, and additional bonus material. The second included a making-of documentary, music video and making-of featurette of Aaliyah'south "Journeying to the Past", and additional bonus content.[43] The picture was released on Blu-ray on March 22, 2011; this included Bartok the Magnificent in the special features.[44]

Streaming [edit]

Following Disney's acquisition of 20th Century Fox on March 20, 2019, Anastasia became available on Disney+.[45] [46] [47] In the US, it was removed from Disney+ on March i, 2022, and transferred to Starz on March 18, 2022; contrary to popular belief, the film'due south disappearance bears no connexion to the 2022 Russian invasion of Ukraine (Disney had suspended theatrical releases in Russian federation such every bit the and so-upcoming Turning Reddish, which led to confusion that Anastasia's withdrawal was related).[48] [49]

Reception [edit]

Review aggregator website Rotten Tomatoes gives the film a score of 84% based on 58 reviews and an average rating of 7.1/10. The website's consensus reads: "Beautiful blitheness, an affable take on Russian history, and strong phonation performances make Anastasia a winning first film from Fox Animation Studios".[l] On Metacritic, the film has a score of 61 out of 100 based on 19 reviews, indicating "mostly favorable reviews".[51] Audiences polled by CinemaScore gave the flick an average grade of "A-" on an A+ to F scale.[52]

Roger Ebert of the Chicago Sun-Times awarded the flick iii-and-a-half out of four stars, praising "the quality of the story" and writing the effect equally entertaining and sometimes heady.[53] Gene Siskel of the Chicago Tribune gave Anastasia 3 stars, calling the lead grapheme "pretty and charming" but criticized the film for a lack of historical accuracy.[54] Kenneth Turan of the Los Angeles Times wrote: "Though originality is not one of its accomplishments, Anastasia is generally pleasant, serviceable and eager to please. And any moving picture that echoes the landscape of Doctor Zhivago is difficult to dislike for too long."[55] Todd McCarthy of Variety noted the moving-picture show was "dazzlingly colorful", merely felt that "all the ingredients thrown into the pot don't congeal entirely congenially, and the artistic touch applied doesn't allow the whole to go more the sum of its various, but invariably familiar, elements."[56] Margaret McGurk, reviewing for The Cincinnati Enquirer, described the film as "charming" and "entertaining", and calling Anastasia as a tasty tale near a fairy-tale princess.[57] Lisa Osbourne of Boxoffice called the film "pure family unit entertainment".[58] Awarding the film three out of v stars, Empire 's Philip Thomas wrote that despite historical inaccuracies, Anastasia manages to be a mannerly niggling movie.[59]

Several critics have drawn positive comparisons between Anastasia and the Disney films released during the Disney Renaissance, noting similarities in their story and blitheness styles. Marjorie Baumgarten of The Austin Relate awarded the moving picture three out of 5 stars. Likening its quality to that of a Disney animated film, Baumgarten wrote that Anastasia "may not beat Disney at its own game, but information technology sure won't be for lack of trying". Baumgarten continued that "[t]his sumptuous-looking motion picture clearly spared no expense in its visual rendering; its optical flourishes and attention to particular aim for the Disney gold standard and, for the most part, come up pretty darn close".[60] The Phoenix 's Jeffrey Gantz jokingly stated: "[I]f imitation is indeed the sincerest grade of flattery, then the folks at Disney should experience royally complimented by Twentieth Century Play tricks'south new animated characteristic well-nigh Tsar Nicholas Ii's youngest daughter".[61] Owen Gleiberman of Entertainment Weekly wrote that Fox has a beautifully animated musical that can challenge Disney's peer, only also said that Anastasia has inferior animation mode compared to Disney'southward and lacks its magic.[62]

Russian critical response [edit]

Critical reception in Russia was as well, for the nearly part, positive despite the creative liberties that the picture show took with Russian history. Gemini Films, the Russian benefactor of Anastasia, stressed the fact that the story was "not history", only rather "a fairy tale fix confronting the groundwork of real Russian events" in the film's Russian marketing campaign so that its Russian audition would not view Anastasia as a historical picture.[63] As a result, many Russians praised the flick for its fine art and storytelling and saw it as not a piece of history only another Western import to be consumed and enjoyed.[63]

Some Russian Orthodox Christians, on the other hand, found Anastasia to be an offensive depiction of the Chiliad Duchess, who was canonized as a new martyr in 1981 past the Russian Orthodox Church Exterior Russia.[64] Many historians echoed their sentiments, criticizing the film as a sanitized, sugar-coated reworking of the story of the Czar'due south youngest daughter.[65] While the filmmakers acknowledged the fact that "Anastasia uses history only as a starting point", others complained that the motion picture would provide its audience with misleading facts about Russian history, which, according to the author and historian Suzanne Massie, has been falsified for and so many years.[66] Similarly, the apprentice historian Bob Atchison said that Anastasia was akin to someone making a film in which Anne Frank "moves to Orlando and opens a crocodile farm with a guy named Mort".[66]

Some of Anastasia'due south gimmicky relatives besides felt that the film was distasteful, merely nigh Romanovs have come up to have the "repeated exploitation of Anastasia's romantic tale... with equanimity".[66]

Box role [edit]

A express release of Anastasia at the Ziegfeld Theatre in New York City on the weekend of November 14, 1997, grossed $120,541.[67] The post-obit weekend, the broad release of Anastasia in the United States earned $14.1 1000000, ranking second behind Mortal Kombat: Annihilation.[68] [69] By the end of its theatrical run, Anastasia had grossed $58.four one thousand thousand in the United States and Canada and $81.4 meg internationally.[7] The worldwide gross totaled up to near $139.8 million, making it Don Bluth's highest-grossing motion picture to engagement and beating out his side by side highest-grossing moving-picture show, An American Tail, past well-nigh $55 million.[70] This was Don Bluth's outset financially successful picture show since All Dogs Go to Sky.

Accolades [edit]

The film was nominated for 2 University Awards, for Best Original Musical or Comedy Score and Best Original Song (for "Journey to the Past").[71] [72] The R&B vocaliser Aaliyah performed the pop version at the anniversary.[73]

Adaptations [edit]

Ice Follies [edit]

Anastasia On Ice was a licensed adaptation produced by Feld Entertainment's Ice Follies that ran from at least 1998 to 1999.[84] [85]

Spin-off movie [edit]

In 1999, a direct-to-video spin-off called Bartok the Magnificent was released which focused on the character of Bartok.[86]

Stage musical accommodation [edit]

In April 2015, Hartford Stage planned to premiere a new stage product of Anastasia, with the book by Terrence McNally, lyrics by Lynn Ahrens, music by Stephen Flaherty and directed past Darko Tresnjak.[87] The production ran from May xiii through June xix, 2016.[88]

Information technology is an original new musical combining both the 1956 Trick film and the 1997 blithe film. Co-ordinate to Tresnjak, the musical features six songs from the animated flick and additionally includes 16 new songs. Additionally, there have been some newly rewritten characters including Checkist secret police officer Gleb Vaganov (in the identify of Rasputin), and Lily, who has been renamed in the place of Sophie.[89] McNally said: "This is a phase version for a mod theatre audition... The libretto's 'a alloy' of one-time and new... There are characters in the musical that appear in neither the cartoon nor the Ingrid Bergman version".[90]

The Hartford production featured Christy Altomare as Anastasia / Anya, Derek Klena equally Dimitri, Mary Beth Peil as The Dowager Empress Maria Feodorovna, Manoel Felciano equally Gleb Vaganov, John Bolton as Vladimir, Caroline O'Connor as Lily, and Nicole Scimeca as Young Anastasia.[91] The musical transferred to Broadway with much of the original Hartford bandage, opening on Apr 24, 2017, at the Broadhurst Theater[92] to mixed reviews.

See also [edit]

  • Anna Anderson
  • Anya (Anastasia)
  • Koschei
  • Romanov impostors
  • List of 20th Century Studios theatrical blithe characteristic films

References [edit]

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External links [edit]

Source: https://en.wikipedia.org/wiki/Anastasia_%281997_film%29

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